Wednesday, February 25, 2009

Conducting a video interview

A few things to keep in mind when conducting a video interview:

Women talking
- set the interview in a quiet environment
- instruct the subject to answer in whole sentences, so the answers can be cut without the questions
- do not talk over the subject
- nod in agreement, instead of talking
- pause after the subject's answer, some people continue to talk after a pause
- "Describe for me."
- "What?!"
- "You're kidding!"
- "Really?"
- "Why?"

Friday, February 6, 2009

Recording Audio for Online

Microphone
PODCAST is the phenomenon that emerged with Apple's iPod and the advance of multimedia. It's an audio form which can be streamed from a web site or downloaded to your computer, mp3 player or mobile phone. Podcast allows anyone to broadcast a radio-on-demand show. We embraced it at the National Post as another platform to broaden our readers/viewers/listeners base.

However, it is important to create a decent quality audio. Here are a few tips for reporters armed with the audio recorders.

Whenever possible, set your interviews in a quiet environment, i.e. hotel room, office, or any other closed space with no background noise

If the interview must be conducted outside, try to do it in a car. If that is not possible, look for a shelter from the wind and noise—a wall, a tree (with no birds on), or even block the wind with your and interviewee's body, if no better protection is available

Avoid holding the recording device in hand—every move of the fingers will create noise on the recording. Leave the recorder on the table or a desk, approximately 1-2 ft from the interviewee's face. If the interview is being done in a quiet room, the distance between the microphone and the person being interviewed can be greater; on contrary, if the interview is being done in a noisy environment, the microphone needs to be closer to the person. Do not bring it too close, to avoid 'popping' sounds on 'p' and 'b'
If you must hold the recorder, keep your hand and fingers absolutely still.

Ideally, use a microphone detached from the recorder, which can be used on a desk-stand, or hand-held. That is the best way to get a high quality audio and to avoid any noise coming from handling of the recording device. If the microphone is hand held, hold it steady and don't move fingers over it.

Instruct your subject to talk in loud, clear and even voice, for the best results.

Do not interrupt the subject's answer—if you talk over the subject, it can't be edited out. After each completed answer pause for a couple of seconds before asking your next question. The pause, while making the audio easier to edit, also often makes the subject add things to his answer that he didn't say originally.

If the audio is being cut without the questions asked, instruct the subject to answer in whole sentences, which means repeating the part of the question when answering it.
Example:
Question: "Where were you born?"
Correct answer: "I was born in Toronto"
Incorrect: "Toronto"

Record sounds that pertain to the story/interview, e.g. if the interview is with a pianist, record him playing the piano, when possible. If working on a traffic story, get some traffic noise.
When recording sound for the background audio, isolate it from any conversation or other man-made sounds unrelated to the story.

Tuesday, February 3, 2009

Steadicam: Do It Yourself

If you know YouTube, you know how badly camera shakes can affect a video. No matter how steady your hands are, if the camcorder is hand-held, it's bound to shake, even if only a little. The main cure for this is, of course, tripod or monopod. However, in some instances it is necessary to move the camera for certain effects. There are several solutions to keep you camcorder steady while you move it around, the most popular among them Steadicam Merlin. Unfortunately, all these solutions are quite pricey.

For those of us who work on a limited budget, here's a useful instructional video on how to make your own steadicam:

DIY Steadicam - Flying Camera Support from Videopia on Vimeo

Monday, February 2, 2009

Web Video DOs and DON'Ts

Hope you'll find the following Do and Don't tips as useful as I did:

Video
Do:
- Limit your dependency on the built-in mic
- Use manual focus
- Set manual white balance at every location
- Keep the camcorder steady (imagine it to be a very full cup of coffee)
- Use a tripod or a monopod
- Shoot to edit
- Move camera only when absolutely necessary

Don't:
- Zoom or pan when camera is rolling
- Place every subject in the center of the frame
- Stay on the spot instead of looking for interesting angles
- Shoot everything from the standing eye-level
- Shoot only 2-3 sec per shot
- Move camera too fast (if you must move it at all)

Audio
- Listen through headphones while shooting
- Get the microphone close
- Use an external mic
- Check and test before shooting
- Go where people are waiting, it's a good place to gather audio
- "Describe for me."
- "What?!"
- "You're kidding!"
- "Really?"
- "Why?"
- Gather ambient sound
- Don't talk over your subject
- Nod in agreement, instead of talking
- When they stop talking, pause before asking another question, sometimes people continue to talk.

Editing
- Never fall in love with a shot
- Kill your darlings, the shots you fell in love with
- Be ruthless
- It's your edit, so do it!
- Keep tweaking, rearranging, improving
- Think about the flow
- Show, don't tell
- Edit for the audio, cut to the rhythm
- Don't bury your lede
- Never make the audience wait too long
- Keep you audience in mind when editing

Sunday, January 25, 2009

Web video: make it short!

Web audience has famously short attention span. They also have infinite choice of other videos to watch. So, to grab (and hold) their attention, make your video short and to the point:

- Around 3-5 min video is long enough to tell the story and short enough to keep attention of the viewer.
- Place the "hook" right at the beginning. The "hook" is a teaser scene, or an audio bit that will intrigue the viewer to watch through.
- Keep the story and the visuals moving. The proper flow will build from the beginning and culminate before the end, leaving about 30 seconds for the conclusion.
- Avoid long slow clips
- Whenever possible, use the element of surprise in the story; don't reveal the main point at the beginning.
- The last (parting) scene is what stays in the viewer's memory, so choose the strongest visual for the end.